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Jess & James and The J.J. Band - Move mp3 download

Jess & James and The J.J. Band - Move mp3 download Performer: Jess & James and The J.J. Band
Album: Move
Released: 1968
Style: Beat, Mod, Rhythm & Blues
Size MP3: 1976 mb.
Size FLAC: 1397 mb.
Rating: 4.2/5
Votes: 633
Other Formats: XM MP4 AIFF DXD DMF AUD WAV



The J. Geils Band is the self-titled debut studio album by American rock band The J. Geils Band. The album was released on November 16, 1970, by Atlantic Records. The band had once been known as the J. Geils Blues Band, but its debut album revealed the stylistic range it had long developed

s (sometimes punctuated The JB's or The . s) was the name of James Brown's band from 1970 through the early 1980s. On records the band was sometimes billed under alternate names such as Fred Wesley and the JBs, The James Brown Soul Train, Maceo and the Macks, . The First Family, and The Last Word. In addition to backing Brown, the .

Doug James) from The J. Geils Band's Jay Geils Toe Tapping Jazz for free, and see the artwork, lyrics and similar artists. Jay Geils Toe Tapping Jazz. View full artist profile.

James & Black is an independent duo formed in Austin, Texas that creates a hybrid of US southern soul and classic hip-hop.

James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off on a spontaneous road trip across rural Argentina to reunite with Jess' estranged brother. On their journey, they confront strange occurrences and engage in a ménage à trois affair that brings them closer. James feels trapped living with his irritable mother. After meeting for a sexual encounter, the two young men set off.

The band's fourth album, Bloodshot, made it to the Top 10 in 1973, mostly thanks to the pop-leaning hit single "Give It to Me" (see No. 2 on our list of the Top 10 J. Geils Band Songs). The album's opening track, "(Ain't Nothin' but a) Houseparty," was more representative of the group's juke-joint roots. The J. Geils Band had a Top 25 hit with a live version of their cover of the Marvelows' doo-wop classic "I Do" in 1982. But we prefer the slick studio take found on 1977's Monkey Island album, an experimental detour that played around in new sonic playgrounds (the title track runs nine minutes). I Do" doesn't quite fit the tone of the LP, but it's one of the band's best tributes to '60s R&B.