» » Horacio Vaggione - Musique Pour Piano Et Électroacoustique

Horacio Vaggione - Musique Pour Piano Et Électroacoustique mp3 download

Horacio Vaggione - Musique Pour Piano Et Électroacoustique mp3 download Performer: Horacio Vaggione
Album: Musique Pour Piano Et Électroacoustique
Released: 1995
Style: Musique Concrète, Contemporary
Size MP3: 1678 mb.
Size FLAC: 1231 mb.
Rating: 4.1/5
Votes: 204
Other Formats: ADX DMF WMA AA FLAC AHX AC3



Till" for piano and tape composed 1991. Tahil" for piano composed 1993. Leph" for piano and tape composed 1992. Myr" for piano composed 1994 "Schal"l for tape composed 1994. Realized in the studios of "Groupe de musique électroacoustique de Bourges" (GMEB). 1995 Mnémosyne Musique Média.

Horacio Vaggione (born 1943) is an Argentinian composer of electro-acoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often scored for performers and computers (mixed music)

Mnémosyne musique média – 1995. electrocd electrothèque electroprésence Ymx média.

Musiques pour piano et electroacoustique. A computer assisted compositional goal, the Octuor is presented with its main compositional goal to produce a musical work of considerable timbral complexity out of a limited set of sound source materials.

cle{Budn2000ComposingWO, title {Composing with Objects, Networks, and Time Scales: An Interview with Horacio Vaggione}, author {Osvaldo Bud{'o}n}, journal {Computer Music Journal}, year {2000}, volume {24}, pages {9-22} }. Osvaldo Budón. Published in Computer Music Journal 2000. Entretien avec Horacio Vaggione.

Horacio Vaggione (born 1943) is an Argentinian composer of electro-acoustic and instrumental music who specializes in micromontage, granular synthesis, and microsound and whose pieces are often scored for performers and computers (mixed music). Sur quelques catégories opératoires dans la musique électroacoustique (Horacio Vaggione), in L'espace : musique-philosophie (. M. Chouvel, M. Somolos (éds), Paris, L'Harmattan (1997). Son, temps, objet, syntaxe. Vers une approche multi-échelle dans la composition assistée par ordinateur (Horacio Vaggione), in Musique, rationalité, langage, Cahiers de philosophie du langage n° 3 (1998). Formel, informel, musique et philosophie (M. Solomos, A. Soulez, . aggione), Paris L'Harmattan (2003).

Vaggione, in Budón, 2000) Horacio Vaggione’s path to composition has been particularly focused. Early in his career, he recognized the pertinence of combining computer technology with the technique of micromontage. Like Xenakis, he also recognized the need for a balance between algorithmic composition and direct intervention: ‘To articulate a highly stratified musical flux by statistical means is unthinkable. Musiques pour piano et electroacoustique (CD). Chrysopée Électronique Bourges LCD 278 1102. Vaggione, H. (1996a). About the electroacoustic approach: Situations, perspectives. In G. Bennett et al. (Eds), Esthétique et Musique Électroacoustique, Actes de l’Académie Internationale de musique électroacoustique, Vol. I. Bourges: Éditions Mnémosyne. (1996b).

Tracklist

1 Till 12:45
2 Tahil 10:55
3 Leph 16:07
4 Myr 2:55
5 Schall 7:28

Companies, etc.

  • Phonographic Copyright (p) – Mnémosyne Musique Média
  • Published By – GMEB
  • Produced At – GMEB

Credits

  • Illustration [Recto] – Jana Kluge
  • Photography By – Hervé Touchard
  • Piano – Philip Mead (tracks: 1 to 4)
  • Producer – Mnémosyne Musique Média
  • Recorded By [Prise De Son] – Jean-Claude Leduc

Notes

"Till" for piano and tape composed 1991.
"Tahil" for piano composed 1993.
"Leph" for piano and tape composed 1992.
"Myr" for piano composed 1994
"Schal"l for tape composed 1994.

Realized in the studios of "Groupe de musique électroacoustique de Bourges" (GMEB).
℗ 1995 Mnémosyne Musique Média